Drawing Exhibition
By Jason PetleyTo see more information about this exhibition, click here
Petleys is proud to invite you to our annual Exhibition of Drawings. This year we have combined new and old, with works by Paul Bartlett, Edward Beale, Francesco-Guiseppe Casanova, Marc Chagall, Saied Dai, Paul Ceasar Helleu, Bob Jackson, Augustus John, Peter Kuhfeld, Henri Lebasque, Henri Matisse, Ambrose McEvoy, Sir William Orpen, Roy Petley, Pablo Picasso, Vicente Romero, Charlotte Sorapure, Edward Stotts, Caspar Pieter Verbruggen, Lucy Kemp Welch, Antony Williams, Robbie Wraith, Martin Yeoman.
In the world of Art today there is so much confusion as to
what is Art. For instance, drawing to some has been redefined as
mark making. To me this is far too crude an expression to
describe something that not only involves the total coordination
of your eye, mind and hand but also all your feelings about what
is in front of you and indeed around you at a specific point in
time. Mark making by contrast is the difference between signing
your name and taking a thumb print. What sparks people off into
drawing? In my own case I remember really enjoying it from the
age of five. The desire grew inside me I think and later, by
looking at books that had great drawings in them, with one book
in particular on Rembrandt that fully opened my aspirations.
Within that book, it had the all-time great drawing of ‘Two women
teaching a child to walk’ which was probably made in under a
minute.
What an example! Maybe though it would mean nothing to you if you
have no feeling for it. Those of us who wanted to draw when we
were children would come back to a drawing such as this and sit
and wonder at how someone had managed to capture something so
fleeting and convey such life. In my middle years I am still in
the same state of wonder at that drawing and so many others, and
will be till the day I die. So if you are young or if you are old
and have been reading this, stop now and sit for a very long time
and look at Rembrandt’s great drawing reproduced opposite.
Then come and see the exhibition and enjoy the works of
acknowledged Masters in drawing from the 19th and 20th century
alongside people who draw today. Make your own mind up on how
far, or even how not so far, we have got with this great and
strangely undervalued art.
by Martin Yeoman













